Culture (TPB) nr. 9: Surface Detail (Banks, Iain M.)

It begins in the realm of the Real, where matter still matters. It begins with a murder. And it will not end until the Culture has gone to war with death itself. Lededje Y'breq is one of the Intagliated, her marked body bearing witness to a family shame, her life belonging to a man whose lust for power is without limit. Prepared to risk everything for her freedom, her release, when it comes, is at a price, and to put things right she will need the help of the Culture. Benevolent, enlightened and almost infinitely resourceful though it may be, the Culture can only do so much for any individual. With the assistance of one of its most powerful - and arguably deranged - warships, Lededje finds herself heading into a combat zone not even sure which side the Culture is really on. A war - brutal, far-reaching - is already raging within the digital realms that store the souls of the dead, and it's about to erupt into reality. It started in the realm of the Real and that is where it will end. It will touch countless lives and affect entire civilizations, but at the centre of it all is a young woman whose need for revenge masks another motive altogether.

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Iain M. Banks
Iain [Menzies] Banks was born in Fife in 1954, and was educated at Stirling University, where he studied English Literature, Philosophy and Psychology. Banks came to widespread and controversial public notice with the publication of his first novel, The Wasp Factory, in 1984. His first science fiction novel, Consider Phlebas, was published in 1987. He has continued to write both mainstream fiction (as Iain Banks) and science fiction (as Iain M. Banks). He is now acclaimed as one of the most powerful, innovative and exciting writers of his generation: The Guardian has called him "the standard by which the rest of SF is judged". William Gibson, the New York Times-bestselling author of Spook Country describes Banks as a "phenomenon". Iain M. Banks lives in Fife, Scotland.

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