Captain Blite and Agent Cormac thought they had defeated the malevolent AI Straeger. But Straeger’s mission to plunge the galaxy into a devastating war is far from over. With a twisted p-Prador army bred from the Spatterjay virus, Straeger sets his plans in motion. Meanwhile, in the war-struck world of Yossander’s Hold, Blite and Cormac are trapped in a maelstrom of betrayal and violence. They must fight their way through the chaos as they seek to repair Blite’s damaged ship. But their escape requires resources from the Bracken, and aboard that ship, a terrifying transformation is underway . . . Recognizing the threat posed by the p-Prador, the Prador Kingdom and the human Polity’s ruling AI form an uneasy alliance. But with Straeger’s plans unfolding and reality itself under threat, the galaxy is poised on the brink of destruction. Can Blite and Cormac survive the escalating war and the collapse of time itself?

Udgivet af TOR, U.K. 

Neal Asher
Neal Asher (born 4 February 1961 in Billericay, Essex, England) is an English science fiction writer. Both of Asher's parents are educators and science fiction fans. Although he began writing speculative fiction in secondary school, Asher did not turn seriously to writing until he was 25. Asher identifies The Lord of the Rings, The Hobbit and other fantasy work including Roger Zelazny’s The Chronicles of Amber series as important early creative influences. The majority of Asher's work is set in one future history, the "Polity" universe. It encompasses many classic science fiction tropes including world-ruling artificial intelligences, androids, hive minds and aliens. His novels are characterized by fast-paced action and violent encounters. While his work is frequently epic in scope and thus nominally space opera, its graphic and aggressive tone is more akin to cyberpunk. When combined with the way that Asher's main characters are usually acting to preserve social order or improve their society (rather than disrupt a society they are estranged from), these influences could place his work in the subgenre known as post-cyberpunk.